Beach holography anyone?
Posted: Sat May 22, 2004 9:53 am
If the film can be exposed in the open air, can't it also be developed in open air. If it hasn't fogged during exposure, it can't fog as you develop. It should be possible to take the developing chemicals, a few trays and a flask of DI water and set up a dev station right on the beach. Also, why use a safelight. The idea is that moonlight is the safelight.
As for local law enforcement, I have a story that may be pertinent. In the 80's sometime a London holographer was driving home through Hyde Park late at night after a day of trying to shoot real roses. He got stopped by the local constabulary, two of them, who asked him, among other things, what his job was. "Holographer", he replied. "Huh?" said one of the local constabulary. He pulled out his holograms from the glove compartment and showed them with his headlights. Both members of the constabulary stared, promptly walked towards their car and drove off. One was heard saying, "I don't think the London Constabulary has ever caught a holographer, do you?" and the other replied, "I don't think so".
As for local law enforcement, I have a story that may be pertinent. In the 80's sometime a London holographer was driving home through Hyde Park late at night after a day of trying to shoot real roses. He got stopped by the local constabulary, two of them, who asked him, among other things, what his job was. "Holographer", he replied. "Huh?" said one of the local constabulary. He pulled out his holograms from the glove compartment and showed them with his headlights. Both members of the constabulary stared, promptly walked towards their car and drove off. One was heard saying, "I don't think the London Constabulary has ever caught a holographer, do you?" and the other replied, "I don't think so".