1,156
edits
Changes
m
<h3>REFLECTIVE == Recording Materials & Processing;[[media:ISDH2015Andreeva.pdf | DISPLAY HOLOGRAPHY</h3>AND NANOPLASMONICS]] : by Olga Andreeva (Russia);[[media:ISDH2015Banyasz.pdf | EFFECTS OF NONLINEARITY AND FINITE SPATIAL RESOLUTION OF SILVER HALIDE RECORDING MATERIALS ON THE RECONSTRUCTED HOLOGRAPHIC IMAGE]] : by István Bányász (Hungary);[[mediaISDH2015Ganzherli.pdf | HOLOGRAPHIC METHODS OF DIFFUSERS FORMATION ON SILVER HALIDE PHOTOGRAPHIC EMULSIONS : by Nina Ganzherli, Sergey Gulyaev, Irina Maurer, Dmitriy Chernykh (Russia);[[media:ISDH2015Kutanov.pdf | DIRECT LASER RECORDING OF DOT HOLOGRAMS ON AMORPHOUS SILICON FILM]] : by Askar Kutanov, Zamirgul Kazakbaeva (Kyrgyzstan);[[media:ISDH2015Vorzobova_Ryabova.pdf | CHARACTERISTICS OF NRC "KURCHATOV INSTITUTE" MATERIALS FOR COLOR HOLOGRAPHIC RECORDING]] : by Nadezda Vorzobova, Roze Ryabova (Russia);[[media:ISDH2015Gentet.pdf | RECORDING MATERIAL "ULTIMATE" FOR DISPLAY HOLOGRAPHY AND HOE's]] : by Yves Gentet (France)
<p>by Maria Isabel Azevedo (Portugal), Martin Richardson (UK), Elizabeth Sandford-Richardson (UK), Luís Miguel Bernardo (Portugal), Helder Crespo (Portugal)</p> <h3>RECOVERY OF EXCAVATION SCENE OF YUAN BLUE AND WHITE PORCELAIN THROUGH DIGITAL HOLOGRAPHY</h3> <p>by Shuo Wang, Ardeshir Osanlou, Peter Excell (UK)</p> <h3>MERGING THE MATERIAL WITH THE IMMATERIAL</h3> <p>by Richard Bruck (USA)</p> <h3>COMMUNICATING IN 3D VISIBLE LANGUAGE</h3> <p>by Yin-Ren Chang, Martin Richardson (UK)</p> <h3>HOLOGRAPHY AS AN ARCHITECTURAL DECORATION</h3> <p>by Setsuko Ishii (Japan)</p> <h3><a href="ISDH2015John.pdf">AN EVALUATION OF AN ART HOLOGRAPHY EXHIBITION: SHOULD ARTISTS CARE WHAT PEOPLE THINK?</a></h3> <p>by Pearl John (UK)</p> <h3><a href="ISDH2015Vorzobova_Bulgakova.pdf">HOLOGRAPHIC 3-D PRINTING IN POLYMERIC MATERIALS</a></h3> <p>by Nadezda Vorzobova, Vera Bulgakova (Russia)</p> <h3>WHAT WAS I THINKING WHEN I THOUGHT PRODUCING FOUR BY FIVE FOOT DENISYUK DCG HOLOGRAMS WAS A GOOD IDEA</h3> <p>by John August Muth (USA)</p> <h3>HOLOGRAPHY IN DESIGN</h3> <p>by Ray Park, Elena Stoykova, Hoonjong Kang (South Korea)</p> <h3><a href="ISDH2015Richardson.pdf">AN INTERACTIVE HOLOGRAPHIC DISPLAY SYSTEM</a></h3> <p>by Martin Richardson, Vivian Suresh Kumar Amos (UK)</p> <h3>HOLOGRAMS IN CAVES</h3> <p>by Julio Ruiz, Luis Roves (Spain)</p> <h3><a href="ISDH2015Khan.pdf">MEDICAL 3D DIGITAL HOLOGRAPHIC IMAGING FROM INDIVIDUAL ORGANS TO THE WHOLE HUMAN ANATOMY</a></h3> <p>by Javid Khan (UK)</p> <h3>CREATING STEREOGRAMS ON AN iPhone</h3> <p>by Patrick Boyd (UK)</p> <h3><a href="ISDH2015Janardo.pdf">ARTISTIC HOLOGRAPHY AS A TYPOLOGY BELONGING TO THE VIRTUALLY THREE-DIMENSIONAL ARTS</a></h3> <p>by Nuno Miguel José Janardo (Portugal)</p> <h2>Session 3. Recording Materials & Processing</h2> <h3><a href="ISDH2015Andreeva.pdf">DISPLAY HOLOGRAPHY AND NANOPLASMONICS</a></h3> <p>by Olga Andreeva (Russia)</p> <h3><a href="ISDH2015Banyasz.pdf">EFFECTS OF NONLINEARITY AND FINITE SPATIAL RESOLUTION OF SILVER HALIDE RECORDING MATERIALS ON THE RECONSTRUCTED HOLOGRAPHIC IMAGE</a></h3> <p>by István Bányász (Hungary)</p> <h3><a href="ISDH2015Ganzherli.pdf">HOLOGRAPHIC METHODS OF DIFFUSERS FORMATION ON SILVER HALIDE PHOTOGRAPHIC EMULSIONS</a></h3> <p>by Nina Ganzherli, Sergey Gulyaev, Irina Maurer, Dmitriy Chernykh (Russia)</p> <h3><a href="ISDH2015Kutanov.pdf">DIRECT LASER RECORDING OF DOT HOLOGRAMS ON AMORPHOUS SILICON FILM</a></h3> <p>by Askar Kutanov, Zamirgul Kazakbaeva (Kyrgyzstan)</p> <h3><a href="ISDH2015Vorzobova_Ryabova.pdf">CHARACTERISTICS OF NRC "KURCHATOV INSTITUTE" MATERIALS FOR COLOR HOLOGRAPHIC RECORDING</a></h3> <p>by Nadezda Vorzobova, Roze Ryabova (Russia)</p> <h3><a href="ISDH2015Gentet.pdf">RECORDING MATERIAL "ULTIMATE" FOR DISPLAY HOLOGRAPHY AND HOE's</a></h3> <p>by Yves Gentet (France)</p> <h2>Session 4. Electronic, Digital & CGH</h2>==
no edit summary
: by Francesco Mazzero
== Session 2. Art Concepts & Techniques ==;REFLECTIVE HOLOGRAPHY: by Maria Isabel Azevedo (Portugal), Martin Richardson (UK), Elizabeth Sandford-Richardson (UK), Luís Miguel Bernardo (Portugal), Helder Crespo (Portugal);RECOVERY OF EXCAVATION SCENE OF YUAN BLUE AND WHITE PORCELAIN THROUGH DIGITAL HOLOGRAPHY: by Shuo Wang, Ardeshir Osanlou, Peter Excell (UK);MERGING THE MATERIAL WITH THE IMMATERIAL: by Richard Bruck (USA);COMMUNICATING IN 3D VISIBLE LANGUAGE: by Yin-Ren Chang, Martin Richardson (UK);HOLOGRAPHY AS AN ARCHITECTURAL DECORATION: by Setsuko Ishii (Japan);[[ media:ISDH2015John.pdf | AN EVALUATION OF AN ART HOLOGRAPHY EXHIBITION: SHOULD ARTISTS CARE WHAT PEOPLE THINK? ]]: by Pearl John (UK);[[ media:ISDH2015Vorzobova_Bulgakova.pdf | HOLOGRAPHIC 3-D PRINTING IN POLYMERIC MATERIALS ]]: by Nadezda Vorzobova, Vera Bulgakova (Russia);WHAT WAS I THINKING WHEN I THOUGHT PRODUCING FOUR BY FIVE FOOT DENISYUK DCG HOLOGRAMS WAS A GOOD IDEA: by John August Muth (USA);HOLOGRAPHY IN DESIGN: by Ray Park, Elena Stoykova, Hoonjong Kang (South Korea);[[ media:ISDH2015Richardson.pdf | AN INTERACTIVE HOLOGRAPHIC DISPLAY SYSTEM: by Martin Richardson, Vivian Suresh Kumar Amos (UK);HOLOGRAMS IN CAVES: by Julio Ruiz, Luis Roves (Spain);[[ media:ISDH2015Khan.pdf | MEDICAL 3D DIGITAL HOLOGRAPHIC IMAGING FROM INDIVIDUAL ORGANS TO THE WHOLE HUMAN ANATOMY ]]: by Javid Khan (UK);CREATING STEREOGRAMS ON AN iPhone : by Patrick Boyd (UK);[[media:ISDH2015Janardo.pdf | ARTISTIC HOLOGRAPHY AS A TYPOLOGY BELONGING TO THE VIRTUALLY THREE-DIMENSIONAL ARTS]] : by Nuno Miguel José Janardo (Portugal)
<h3><a href="ISDH2015Brotherton-Ratcliffe.pdf">A MORE INTUITIVE APPROACH TO DIFFRACTION IN VOLUME OPTICAL GRATINGS AND HOLOGRAMS</a></h3>
